With The Brutalist, Brady Cobert ascends to the apex of the modern directorial field, crafting a titanic vision of pain, perseverance, corruption, and the indomitable will to survive. A 215-minute epic as towering,

Brady Corbet’s “The Brutalist” emerged less like a new film worth checking out than a movie colossus to behold. Corbet’s visionary three-and-a-half-hour postwar American epic, shot in VistaVision, has taken on the imposing aura of its architect protagonist’s style.

Channeling the vibe of 1970s New Hollywood epics, the actor-turned-filmmaker's story of an architect struggling to realize a dream project is an instant classic

The Brutalist,” the director’s nearly four-hour study of immigration, identity, and marriage, flowed from his own struggle to create art without compromise. “You really have to dare to suck to transcend,

Making a film is like designing a building, The Brutalist director Brady Corbet tells Dezeen in this exclusive interview. Corbet, who co-wrote The Brutalist, chose to make brutalism the central subject of the film,